A beginner’s guide to constructing the universe-The mathematical archetypes of nature, art and science, states: “In ancient Greece the advanced students ... who were engaged in deep studies of natural science and self-understanding where called mathematekoi, “those who studied all”. The word mathema signified “learning in general, to be aware, to awaken”.
If there is such a thing as mathematekoi ( a curious one) using clay as a medium...I am one.
I will start in 2012 with making of Gateway 21
Sunday, 9 February 2014
Kiln was fixed on Friday. One of the wires got pinched between the kiln wall and casing ( while putting a new metal on the side wall) , so wire insulation melted and short circuited. Took a while to find the problem, but once found it was easily fixed.
So here are the glaze/surface tests:
porcelain slip, no glaze
If I choose this I can once fire as there is no glaze added at all.
thin clear glaze
Very subtle shine, slightly wet or slimy look.
This one is intriguing. Cool white.
Creamy, off-white and mat.
thin copper wash
Another subtle effect, but with "aged" patina.
Now I have to make a decision....All of the tests are satisfactory as textures are visible, and colour is in the "white" range.
I'm tossing between crater and crawl. ( those two together were meant to give me bubbly, frothy glaze like on the Gateway arch).
Crater gives me weathered look - I imagine object pitted by weathering, bleached by the sun and slowly decaying. A coral bone found on the beach.
Crawl is much whiter, intriguing and implies a living organism. I almost expect it to start moving like a lizard.
The challenge is in trying to visualize a 1.5 meters large object in each glaze and deciding which glaze is most suitable. Once choice is made there is no going back.
I am lingering with the choices and savoring the possibilities for a while.